Entry from Budapest

Panna, a Budapest bartender.

Panna, a Budapest bartender.

I’m sitting in a building where my grandfather’s friends were killed. Or where their families hid while they died. Or where someone hid during one war that ravaged the city.

I’m also standing on a second-floor patio in an old Jewish section of Budapest with a man named Stern who – without correction – denies the pot-marked balcony at his eco-friendly hostel was once hit by bullets. Neil Young is playing, my girlfriend won’t be surprised, and I spent all night talking about the dichotomy of good and evil with a man whose ancestors were slaughtered at Auschwitz – in a county where half the population still turns away when gyspsys are killed, so he says. Twenty-percent openly hate the jews, he says.

And I’m still sitting in a building with bullet holes and no heat with a bar in the backyard.

I’m drinking rose because I recognized the brand’s name matched that of a Hungarian soccer player. Even Stern says he’ll leave the county as soon as he can. Not to India, like his dread-locked business partners though. He doesn’t specify where.

Stern smiles more than anyone else I’ve met here, other that the three Montenegrins that left Budapest a day early because the people they met were only interested in wearing a generalized frown and “drinking coffee and talking” all night. We all talk about Hemingway and America and Hungary and Serbia and Capa. We let each other find one another – over a joint, and a tin-can beer – because there is freedom in the single hour we meet. Our rules do not apply, our society has no say in what is said, and we are honest.

Late at night, after the local bartenders have taken a few rounds themselves, the people seem more alive. They laugh around foosball tables, wearing Tommy Hilfiger white and red patches and thick-rimmed glasses and Native American prints.

“No one’s ever asked about it,” they say. “I don’t feel Communism at all.”

But five minutes into the city, there’s no denying the smell of cracked walls and old men in front of liquor stores at ten in the morning. But perhaps that’s the point – it doesn’t smell of communism, it smells of a group of people who – for however many years – have struggled live a dignified life.

For the oldest generations, the only understanding of life is their parent’s suffering, and their parent’s parent’s suffering. And their grandparent’s parent’s suffering. And sometimes they’ve fought against it, for five years or five weeks, and apparently, Stern tells me, that’s what makes them Hungarian.

When I was a child I once wrote a report about my Grandparent’s country. I read a book that told me Hungarians had experienced 1000 years of victory in defeat – that such an experience was fundamentally Hungarian. And in some ways, its understandably preferable to live with a dull dagger in your back, than to find yourself one day without a head in a palace.

Here, no one sits in the National castle anymore.

Marijuana dispensary cleared to open in Bethel

Marijuana dispensary cleared to open in Bethel

Marijuana.

Marijuana.

A medical marijuana dispensary has been cleared to open at 4 Garella Road.

Barring some highly unlikely event, the Bethel Zoning Board of Appeals will soon vote to throw out an appeal that alleges a zoning permit was incorrectly issued to the facility.

They will take the official vote at their next meeting.

At the forefront of their decision to throw out the appeal was a straw vote that showed the board could not unanimously agree the appellants were properly aggrieved by the issuance of a permit.

Four of five board members must agree the appellant is aggrieved for the appeal to be considered on its merits, but only three did so.

In this case, the appeal’s merit arguments were that the dispensary violates federal law (which in turn violates Bethel zoning regulations), and that Town Planner Steve Palmer did not correctly issue a zoning permit to D&B Wellness, the company that will open the dispensary.

Regardless of the fact the board rejected the appeal on terms of aggrievement, it continued to vote on the merits of the case in the event the appeal is raised to Connecticut Superior Court.

First, the board voted four to one that Town Planner Palmer correctly issued a permit under retail use regulations.

“The question is, did Steve make an error? He wasn’t quick with this decision. He did a fantastic job,” board member Richard Lawlor said. “When I go through [the document submitted by Mr. Palmer], I have to agree with Steve. He got it dead on.”

Second, the board voted five to zero that the dispensary would not violate federal law.

Citing a memo from the Attorney General of the United States that said Connecticut’s medical marijuana laws do not violate federal statute, board members said they doubted they had the authority to strike down the appeal on the same grounds.

After 4-hour hearing, Bethel’s medical pot discussions delayed to Thursday

After 4-hour hearing, Bethel’s medical pot discussions delayed to Thursday

Marijuana.

Marijuana.

Don’t break out the bongs just yet, Bethel residents won’t have a final decision on the allowance of a marijuana dispensary until Thursday, July 17, or later.

The Zoning Board of Appeals voted at 11:30 p.m. Tuesday night to suspend deliberation on an appeal which claims Town Planner Steve Palmer incorrectly issued a zoning permit to D&B Wellness, the company which plans to open a palliative marijuana dispensary on Garella Road.

The board ended the public hearing on the appeal Tuesday, and scheduled their deliberation to begin on Thursday, July 17 in the Municipal Center’s Meeting Room D at 7 p.m. The deliberation is open to the public.

During Tuesday’s public comment session, a number of residents raised concerns over safety, traffic flow, and property values, while some in favor of the dispensary outlined its benefit to the community, and to patients requiring its services.

Most of the comment, while passionate on both sides, was irrelevant to the question the board of appeals is required to answer: whether or not a permit for a dispensary at 4 Garella Road was properly issued.

 

The meat of the meeting was largely contained in a debate between three attorneys with a part in the case: Chris Leornard, the attorney for Bethel’s zoning enforcement officer; Neil Marcus, the attorney for D&B Wellness; and Peter Olson, the appelant’s attorney.

According to Mr. Olson, his clients believe Mr. Palmer incorrectly issued a permit for the operation of a medical marijuana dispensary in the RT6 zoning district because the application does not meet a provision of zoning regulations which mandates areas zoned for retail use must be open to the “general public.”

“Evidence does not demonstrate the applicant will be involved in retail sales to the general public,” Mr. Olson said. “[Our appeal] is focused on the limited nature of the persons to whom the dispensary is selling its products.”

Mr. Olson said the dispensary would not serve the general public because the only people allowed on the premises would be medical marijuana users approved by a state authority.

He also noted the sale of marijuana is a violation of federal law, and Bethel zoning regulations require adherence to the highest level of law in the case of conflict between land use laws at the state or federal level.

Therefore, he and members of the public argued, the board of appeals should strike down the permit issuance based on federal drug laws which ban the sale of marijuana.

Mr. Leonard, attorney for the zoning enforcement officer, and Mr. Marcus, attorney for the dispensary, offered three basic opinions on the appeal after a presentation by Mr. Olson: 

• that the appeal should be thrown out because the appellants are not legally aggrieved by the plan

• that Mr. Palmer correctly read and applied Bethel’s zoning regulations to this application

• that the dispenary’s conflict with federal drug laws does not give the board the authority to strike down the permit.

The appellants show no “specific and personal aggrievement that is different than anyone else in the community,” Mr. Leonard said. Classical aggrievement “requires you show you have been affected in a different way than members of the general public,” he said.

In reference to Mr. Olson’s argument that the dispensary did not fit the characteristics of retail use, both Mr. Marcus and Mr. Leonard disagreed.

“There are many traditional uses with multiple layers of regulatory controls over specific uses, like liquor stores and medical clinics,” Mr. Leonard said. “No person or group is excluded from [medical marijuana] eligibility. All are eligible to become a qualifying patient. If any person at any time gets sick they can get a card.”

Additionally, Mr. Marcus said, nowhere in Bethel’s zoning regulations is a retail use required to be a storefront operation. Because D&B Wellness will provide products for sale online to residents without medical marijuana cards, he said they qualify as a retail use regardless of the cardholder debate.

“Anyone of you could go online and buy a product,” from the dispensary’s online store, he said.

On the topic of federal law, both attorneys said they believed the conflict to be of no important to the board of appeals.

Mr. Leonard said to interpret Bethel zoning regulations’ to suggest the zoning enforcement officer and Planning & Zoning Commission are required to take every law — civil or criminal, on the state or national level — into account before making a zoning decision was an “absurd extension of language.”

Truffles and James Floral Design

Pulitzer prize winner Elizabeth Strout has ‘always stared at strangers’

Elizabeth Strout

Elizabeth Strout

It’s easy to feel you are chatting with an old friend – or High School English teacher – when you get the chance to speak with Pulitzer Prize winning author Elizabeth Strout. Though it initially seems her gregarious nature may stand in opposition to the wonderfully dramatic novels she has written, her passion for prose and literature comes through free and clear.

Ms. Strout is the author of five books, including her Pulitzer prize winning collection of short stores, Olive Kitteridge, and her most recent novel The Burgess Boys. Her newest book takes readers on a “fluid and compassionate” journey through the family-based struggles of three Maine-born siblings, the New York Times says.

The author will appear at the Wilton Library on Thursday, April 10 to discuss the new book as part as the library’s Author Talk series.

In asking the novelist about her writing process, it becomes clear Ms. Strout has a deep understanding of the art and a clearly thought-out understanding of her own approach to writing.

When asked about French writer Gustave Flaubert’s tendency to spend an entire day of work perfecting a single written word, the Burgess Boys novelist laughed and admitted she was guilty of the same act.

“I am constantly reworking,” she said in an interview by phone last week. “I can be pushing forward with a theme in one part of the book, and two hours later I will go back and completely rewrite the first two chapters. I’m constantly honing sentences to be just what I want. I’m not a person who goes from the beginning to the end and then goes back and cuts and reworks.”

Even the characters she creates are subject to consistent alteration, Ms. Strout said. While individual actors in her novels grow as she begins to better understand them, she said she also uses her own outside observations to craft them as physical beings.

Character development through outside observations is “more tangential and accumulative,” for her, the author said.

“I can tell you having lived in New York for so many years, and having ridden the subway for hours and hours, that I love it: Just staring at people,” she said. “A number of my characters I have visually been able to take back to my work table from the subway. Its not that they were doing anything, but something in their physicality made me say ‘there she is.’”

Though she is a writer who fills her work with “emotional truth” from her “own experiences,” Ms. Strout said she finds character inspiration from strangers, not those close to her.

“I’ve always stared at strangers,” she said. “I love that about New York, its just full of people. I have to write emotionally truthful from my own experience, but I don’t tend to write from people that I know as much as people I have somehow seen at a safe enough distance.”

Like any other job, Ms. Strout said her writing process needs to be structured in one way or another. Most of her life, she said, the author has abided by a rule she calls “three hours, or three pages.”

“I’ve always had a rule for myself called ‘three hours or three pages.’ By pages I mean handwritten sides of the page,” she said. “It can’t just be crap. It has to be something real, it has to be something. And, I’ve almost always done the three pages. I’m comforted by rules, so I don’t have to get super anxious or crazy. I’ve got three hours, three pages, or both.”

However, those nights where she has left a “marble” of a thought behind on her working table often lead to the most fruitful days.

“The best scenario is when I have left my day’s work from the day before left with a little marble of something in my mind so that I can go something that feels very pressured, and that’s the best thing. But, that doesn’t happen always,” she said.

Though some media attention has been placed on the author’s ability to follow-up on her Pulitzer Prize winning Olive Kitteridge, Ms. Strout says the award has put little more pressure on her process than she already had before.

“Its always been difficult for me to put out a book because I have very high standards for myself,” she said. “Whether I won that prize or not, I would still be struggling to put out the best book I could put out. Its always been hard. I’m not the kind of person who puts out a book a year, but I’m not complaining, I’m grateful I’ve been able to be a writer, at all.”

Becoming a writer is a lengthy and difficult process for even the most talented of wordsmiths, and when she responded to a question about her own childhood inspiration, Ms. Strout said she believed finding a mentor — or many mentors — is extremely important for a young writer.

“A mentor is a really important thing for a young person who wants to be a writer or anything. These are the people who kind of give you permission, or a ‘go-ahead.’ We underestimate how important those people are to a lot of young people,” she said.

The author also said her parents unending support for her career was extremely important, because belief in a child’s creativity can be very difficult.

“My mother was an English teacher and was always feeding me books and that is just enormously important. For a parent to believe that is enormously difficult. Most parents find it hard to believe their child will be an artist. I think the Irish are great about it. It was hugely important that my mother believed that, of course she lost some cred just by being my mother,” she said.

Ms. Strout will be interviewed on April 10 at Wilton Library by book discussion leader Susan Boyar. A Q&A and book signing will follow the talk. Registration is highly recommended.

Pre-registrants should arrive by 6:50 p.m. to be guaranteed seating; wait-listed and walk-in registrants will be admitted after 6:50 p.m. if space is available.

Information: http://www.wiltonlibrary.org.

Song of the American town

Song of the American town

Song of the American town

Song of the American town

While the perfect American town is filled
With the back-woods bike paths of rural Oregon
And air clean enough to have come down off
The highest Colorado passes
It is a part of those states in only the most passive sense.
The days in this vague place progress quickly
From the cold breezes of early morning’s mists
To a quite regular afternoon
As if the sun itself was corrected
By a thin orange gauge that glows in the evening like a neon pen.
Its closest city is both young and old
Containing more dive bars than chapels
More chapels than churches
More schools than all three
If you count them together.
Seven of ten are educated
Nine of ten are employed
One of ten ride the rails out of town.
When they find themselves lying down in bed here
Even financiers and writers can’t help but grin
At the raw beauty they have been so lucky to find
Then again writers and financiers believe strongly in luck.
On one of its summer’s many warm days
You can look down any exit a few miles
And find silver-laden lakes flowing into ferocious rapids;
waters perfect for any tepid or adventurous soul.
The perfect American town is not some
Tiny collection of wooden shacks on the Arizona border
It’s not some community filled with modern masterpieces
And colonial relics on Connecticut’s gold cost
You couldn’t  find it in the warm sun and cool wind
Of it’s wide open windows on wharfs of San Francisco.
The great American town fills the space between those towns,
Those cities,
Our lives.
It is filled with chrome-covered biker gangs
And peanut shells tossed from trucker’s cabs
It is made from tar and yellow and paint
And finds itself more often than not carrying
Some sad soul away from that perfect American town.
The one that failed to be everything it could have been.
Alison Nicholls works ‘quickly’ to preserve African wildlife

Alison Nicholls works ‘quickly’ to preserve African wildlife

By the time artist Alison Nicholls got through her first night of camping in the African bush, she was hooked on the natural wonders the expansive continent had to offer.

“Once I got out into the bush I just fell in love,” the Port Chester resident said before a presentation at the Wilton Library sponsored by Wilton Go Green, “I didn’t want to go to sleep. I was keen on hearing and seeing everything going on day, and night.”

Continue reading